Lorem ipsum dolor sit amet, cogggnsetetuher adipiscing elit, sed diam nonummy nibh euismod tincidunt ut PVII excelsior magna aliquam erat very cool. Ut wisi enejim ad minim veniam, quis nostrud exerci tation Murray suscipit lobortis nisl ut aliquip ex ea commodo sound asleep. Duis autem vel eum iriure dolor in hendrerit in vulputate elit esse molestie consequat, vel Gerry et Al dolore eu feugiat nulla BMW zoom zoom at vero eros et accumsan et I-95 South odio dignissim qui blandit praesent luptatum zzril delenit augue duis dolore te feugait nulla facilisi. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonumm nibh euismod tincidunt ut we be cool.
clarification of Beverly Sills’ official operatic debut
In Beverly Sills’ obituaries, the soprano’s operatic debut is regularly listed among her significant career events. The debut is also included in most reference books about her, in her own autobiographies, and in hundreds of media interviews and performance previews.
References to her operatic debut began to appear in print in the early 1950’s. The details would vary and sometimes were contradictory, but the key elements were that it took place in Philadelphia in a production of “Carmen” when Sills was 17. Sometimes the year 1947 was specifically mentioned, sometimes the organization was noted as the “Philadelphia Civic Opera Company” and sometimes the role was listed as “Frasquita.”
At BeverlySillsOnline.Com, we have documented more than 1300 different performances by Sills, confirming them in pre-performance publicity, performance reviews, performance programs and performance photos. However, there is no evidence of a performance of “Carmen” with Sills in 1947 (or any year in the late 1940’s).
However, what can be verified is a performance by Sills as Frasquita in a production of “Carmen” in Philadelphia on February 14, 1951, presented by the Philadelphia Civic Grand Opera Company. Through wide-ranging and thorough research, the accumulated evidence now points to this 1951 “Carmen” performance as Sills’ actual operatic debut.
Click here for the detailed explanation that makes this case.